Cet article de blogue est écrit en français. This blog post is written in French. Sur le jeu de mots derrière «Brenjour», l'insécurité linguistique, et l'idée qu'apprendre une nouvelle langue nous donne une nouvelle âme. Sur la recherche en code-switching et en cultural frame switching chez les bilingues, le binaire rigide du genre grammatical en français, le pronom «iel» reconnu par Le Petit Robert en 2021, l'interdiction de l'écriture inclusive par le gouvernement du Québec en septembre 2025, mon apathie face à mon propre genre, le commérage, et la platitude honnête qui émerge quand j'écris dans une langue que je maîtrise mal.

An interview with Benjamin Behnke, the creator of Bubbles.town, a community-driven aggregator for independent personal blogs. After controversy on Mastodon and 32-bit Café over his use of Anthropic's Claude to categorize blogs and bypass robots.txt signals, Ben responds about the mistake, the removal of the AI classification pipeline, a locally-trained Naive Bayes replacement, and stricter robots.txt enforcement. A reflection on software harm reduction, forgiveness, my Grandma Bubbles, and the fragile labours of love making the IndieWeb.

A refusal of the sanitized story that rights were won by asking nicely. The suffragettes bombed Westminster Abbey. The Deacons for Defense guarded MLK. Mandela was on the U.S. terror list until 2008. On the radical flank effect, the state's monopoly on legitimate violence, and the 46 people who have died in ICE detention while we are told to keep our resistance polite.

A personal plea from me to you to write your own comments. On the genAI plague of LinkedIn, Meta ads, and Medium, and the human warmth of the IndieWeb. From deviantART's old comment culture to Seneca's letters and the Vindolanda tablets, through Nietzsche's Apollonian/Dionysian divide, the Renaissance of Real in A/W 2026/27 fashion, and Charli XCX's Brat. A call to write the messy, human, from-the-heart comment only you can write.

From Drudge to Salam Pax to Darnella Frazier and Zhang Zhan. The world needs citizen journalists. There has been a hollowing of Postmedia's local press, the radicalization pipelines mainstream coverage fails to trace, Andrew Callaghan's compromised platform, and what I owe under the SPJ Code of Ethics as an independent writer with a blog.

After publishing my piece on Frances Widdowson this morning, she reached out to comment. What followed was an hour of argument, bad faith, and one remarkable final message.

Ex-Mount Royal University professor and author of 'Grave Error: How the Media Misled Us (and the Truth About Residential Schools)' believes she is persecuted by grieving Indigenous communities and woke leftist academic institutions. She has raised over $50,000 for her cause.

Why does reactionary, conservative art in modernity fail? A look at God's Not Dead, the Daily Wire's $100 million entertainment collapse, and how resentment produces derivative, hollow work that cannot generate any cultural magnetism.

My testimony, from Dawkins on an iPod Shuffle down a back alley, through Buddhist libraries and a children's hospice, to Matthew's Gospel in a break room chair. My case for tragic theism: a God who creates, risks, makes mistakes, grieves them, and does not stop.

My daily writing is a practice of releasing messages in bottles and folding paper cranes—from Montaigne in his tower and Johnson writing in poverty, to Sadako Sasaki folding 1,450 cranes in a hospital ward. What the essayists, drift bottles, and Senbazuru share, and why the attempt itself is the whole math.

A follow-up looking at the real, systemic intervention for the Long COVID mass-disabiling event: Clean air. MERV 13 filters, the Corsi-Rosenthal Box, and the Zadroga Act we still have to write to climb the bureaucratic wall of disability denial, and what those of us with capacity owe to those who are too sick to fight for themselves.

A history of the word 'meme'—from Richard Dawkins coining it in *The Selfish Gene* in 1976 to Advice Dog and the death of shared internet monoculture—and what happens when you take memetics seriously as a theory of culture. Metal Gear Rising's Monsoon delivers the most honest account of how memes shape who we become. The lyric essay resists this process by design.

A defence of digital stewardship, IndieWeb principles, Blackfoot models of collective flourishing, and what it means to plant seeds in a garden you'll never see. From Garrett Hardin's infamous 1968 essay to Elinor Ostrom's Nobel Prize-winning refutation, the tragedy of the commons was never inevitable. It was always a choice.

A fifteen-hour road trip across Saskatchewan with my brother, watching the prairie unfold through grain elevators and abandoned towns. The quiet weight of prairie masculinity, the failure of academic knowledge to translate into brotherly wisdom, and the architecture of goodwill found in midnight motels.