Hi, this is my indie publication and site I built from scratch. 🌱 I write about tech criticism, Indigenous issues, the craft of writing, and whatever I can't stop thinking about. All totally free for you to read, without ads or trackers.
Taking the final line of Joseph Fasano's poem 'For a Student Who Used AI to Write a Paper' as a starting point, I argue that loving the verb of creation matters more than daydreaming the noun. There's a wide chasm between writing discipline and the seduction of genAI shortcuts. The only way forward is to start doing the work—badly, bravely, and now.
A meditation on the contradiction of writing publicly while wanting to remain unremarkable, drawing on Daoist uselessness, Epicurean lathe biōsas, state legibility, and Deleuzian imperceptibility—and why the only peaceful path is to keep writing and surrender to shared oblivion.
Open source has become a safe harbor for far-right politics, from David Heinemeier Hansson's white-nationalist rhetoric and the Omarchy Foundation's $12 million in patron funding to so-called apolitical projects that treat marginalized contributors as political, and why a united boycott of complicit tech companies is our only way forward.
A hundred-question chain meme making the rounds about how and why we make websites. I answer my way through questions on workflow, editors, CSS confidence, webrings, Neocities and Nekoweb, domain names, accessibility, genAI ethics, Gruvbox, and everything else about being a webmaster.
Debian's recent vote to permit genAI contributions, alongside the questions raised by the IndieWeb is Punk manifesto, leads me to reflect on the harm-reduction case, the deskilling of creators, the NFT-like grift of genAI output, and the Potemkin village of an industry that has yet to find profitability.
Reflecting on the mental fatigue of posting every day during Blaugust, I share a few small things that cheered me up: a new keyword filter on Bubbles.town, Jan Miksovsky's Origami Projector, and the ongoing, hand-made goodness of the independent web.
Announcing a new open-source, asynchronous Blogging Studies syllabus that blends writing craft and independent web publishing, built on Codeberg. I trace the decline of free MOOCs, outline my curriculum's anti-capitalist and community-driven pedagogy, and invite contributors and learners to help shape it.
After exceeding my free Netlify bandwidth for the first time and wiring up a homelab to run this site, I reflect on how my life has narrowed around writing and code, the friendships that did not survive that focus, and the loneliness of a devotion without a clean resolution.
Reflecting on a reader's description of me as 'nice' and the responsibility of having an audience, I commit to becoming a 'toolshed of hope and stubborn optimism' in my writing. Drawing on solutions journalism, restorative narrative, and thinkers like Rebecca Solnit, Mariame Kaba, Joanna Macy, adrienne maree brown, and Christiana Figueres, I explore how hope is a discipline and how to tether anger and grief to concrete, actionable repair.
After several months of using Bubbles.town, I share my long-term review of the IndieWeb aggregator. The good: discovering diverse blogs across niche topics. The issues: glacial pace of content changes, popularity contest dynamics, categorization problems, and sparse community participation. Overall, Bubbles is a valuable tool among many for web discovery, but not without its problems.
A four-century etymological journey from wooden ship logs and logboards to the modern web log, tracing how the word 'blog' emerged from centuries of record-keeping, computing, and online publishing. On Peter Merholz's coinage of 'blog,' Jorn Barger's 'weblog,' Justin Hall's online diary, the rise of Blogger and Medium, and the state of the blogosphere in 2026.
Responding to anonymous blogger Unstory's claim that love is a fake story and does not exist, I argue that love is a real, measurable, and physical fact of human connection. On fMRI studies of spouses, Harvard's 87-year Study of Adult Development, oxytocin and Queer chosen family, and the courage it takes to keep looking for love anyway.
Cet article de blogue est écrit en français. This blog post is written in French. Sur les mots et expressions français qui n'ont pas de traduction directe vers l'anglais, comme déjà vu, jamais vu, presque vu, dépaysement, retrouvailles, l'esprit de l'escalier, terroir, jolie-laide, sortable et flâneur; la notion de lacune lexicale; et l'importance culturelle et historique du flâneur, de Baudelaire à aujourd'hui.
Responding to Eetu and Pagecord creator Olly's reactions to my article on accessible IndieWeb approaches, I examine the tension between platform convenience and digital sovereignty. Using Olly's recent controversy as a case study, I discuss why being aware of platform creators' values and operations matters, and the importance of eventually learning to self-host for true independence.
Reflecting on three weeks of consecutive writing for Blaugust, I explore the tension between writing by accident versus on purpose. Through correspondence with Unstory and the IndieWeb carnival theme of purpose, I contemplate the accidental nature of my blogging journey, the finite fragility of life, and finding meaning in the surrender to compulsion rather than the pursuit of purpose.
