On the shutdown of EchoFeed and the ephemeral nature of services, why I blog (legacy, existentialism, making a mark), participating in AuguStory, academic studies on blogging benefits, and the paradox of 'nobody cares' as both a source of freedom and as a reminder that we all deserve to be heard, seen, and loved regardless of metrics or response.

After deleting my corporate social media accounts, I've discovered five interesting indie platforms and online communities you might not have heard of: Special Fish, Ctrl + Shift + 3, web1.0 Hosting, Pillowfort, and Blue Dwarf. A look at what makes each unique, from brutalist design to old-device accessibility, and a call to support the independent web financially.

Ten years after its release, I revisit Sufjan Stevens' Carrie and Lowell, an album about his late mother's mental illness, abandonment, and grief, that's held up a clear, honest mirror to my own life. I trace how Stevens' songwriting about Carrie evolved from anger on Michigan and Illinois to unconditional forgiveness, dig into the many alternate versions of 'Fourth of July,' and reproduce my very first attempt at music criticism: a Carrie and Lowell review I wrote as a teenager back in 2015.

Trying to figure out what 'the itch' is—my drive to create and contribute to the digital commons. A review of past projects, current interests in Indigenous data sovereignty and self-hosting, and the search for what comes next.

Special Books by Special Kids is the most important channel on YouTube. Chris Ulmer and Alyssa Porter's decade-long project interviewing neurodiverse individuals and people with disabilities has created a more inclusive world through radical equality, unconditional positive regard, and the belief that all communication is valid. On the channel's origins, its tangible impact on real lives, and why treating disabled people with dignity is ordinary rather than heroic.

Around 2 billion people access the internet exclusively via smartphones, yet the IndieWeb community largely neglects mobile-first design and phoneblogging UX. A casual survey of writers reveals three approaches to mobile publishing: no phoneblogging, partial (drafts on phone, finish on desktop), and full phoneblogging. The IndieWeb must prioritize accessible, simple ways to blog from phones while maintaining independence from corporate platforms.

Responding to Dan Q's post on blogging expectations, I argue that you don't need to blog at all to participate in the IndieWeb. Your website can be shrines, art, or anything else. A retrospective on the poisonous gamification and commodification of blogging from the early 2000s, and the IndieWeb as a return to original weblogging where the Internet belongs to humans.

The desktop computer is a miracle of human ingenuity, from the microscopic precision of Intel's Core Duo processor to the vast possibilities of offline and online computing. On the tragic decline of desktop towers, the IndieWeb and open-source software as alternatives to corporate platforms, and why we should take the time to become system admins and webmasters.

The video game industry is in a cynical, exploitative state with unfinished AAA releases, microtransactions, rising hardware costs, and studio closures. But there's an alternative I'd like to talk about: indie art games, the growing retro handheld scene, and my decision to play the extensive library I already own on a Retroid Pocket 2S rather than chasing new expensive hardware.

Responding to Coyote's critique of Bubbles.town and feed aggregators, I argue that the IndieWeb needs more interlinkers—bloggers who meaningfully synthesize and weave together the writing of others. On the garden/stream/campfire metaphors for the web, the difference between linkdumps and synthesis, Justin Hall's early web work, and how every link out is a stitch that strengthens the fabric of the blogosphere.

Cet article de blogue est écrit en français. This blog post is written in French. Sur la traduction des termes de l'IndieWeb en français québécois, l'état actuel des ressources francophones (wiki IndieWeb, Vincent Breton, Radio-Canada), la tradition néologique du Québec via l'OQLF (courriel, pourriel, clavardage, etc.), les termes déjà existants (blogue, fédivers, auto-hébergement), et des propositions pour de nouveaux termes comme PSSA pour POSSE, rétrolien pour webmention, et jardin clos pour walled garden. Un appel à la discussion sur la traduction des termes techniques dans les langues non-anglophones.

I decided to build brennan.click, a wiki-linked digital commonplace book in Eleventy, with auto-generated stubs created with eleventy-plugin-interlinker, pure-CSS hover transclusion and footnotes with no JavaScript, and a plain-text /urlminder.txt feed that drives a Beeminder goal.

After deleting corporate social media, I'm returning to Beeminder, a commitment tool that charges you money for failing to complete tasks, to reclaim my productivity. I explain how Beeminder works through externalizing willpower, share my current 17 goals across personal development, learning, creative work, and productivity, and integrations that make it seamless.

What could a prestige antihero legal drama and a shonen apocalypse epic have in common? As it turns out, love. An analysis and comparison of Attack on Titan and Better Call Saul. Beyond the violent carnage, there's a tender love and labour which these two impossibly different pieces of media share.

Vibe coders brag about adding thousands of lines of code with AI, but measuring productivity by lines of code is like measuring aircraft progress by weight. Research shows AI-generated code has higher duplication, lower reuse, and can run up to 446x slower. Neither max lines nor min lines is the poin. Code is what you write after you've found something that needs it.